- #Waves ssl 4000 e channel driver#
- #Waves ssl 4000 e channel skin#
- #Waves ssl 4000 e channel full#
- #Waves ssl 4000 e channel pro#
- #Waves ssl 4000 e channel plus#
(C: Program Files Common Files VST3 – WaveShell1-VST3 …Ĭ: Program Files VSTPlugins – WaveShell1-VST …Ĭ: Program Files (x86) Common Files VST3 – WaveShell1-VST3 …Ĭ: Program Files (x86) Common Files – WPAPIĬ: Program Files (x86) VstPlugins – WaveShell1-VST …Ĭ: Program Files (x86) – Waves, Waves CentralĬ: Users NAME AppData Local – Waves AudioĬ: Users NAME AppData Roaming – Waves Audio Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core
#Waves ssl 4000 e channel full#
#Waves ssl 4000 e channel pro#
Improved: All Waves instruments are now supported in Pro Tools 2019 under macOS Catalina 10.15.
#Waves ssl 4000 e channel driver#
New release - OVox Vocal ReSynthesis, now available as a single plugin as well as in the Inspire Virtual Instruments Collection.What’s new in Waves VST Plugins v11 Version? A complete overhaul of the R-Channel user interface for more intuitive use of an additional strip plug-in.Real-time frequency analyzers added to R-EQ and R-Channel plugins.
#Waves ssl 4000 e channel skin#
#Waves ssl 4000 e channel plus#
New Mic Preamp section This gives you the front-end control of the hardware strip with separate Mic and Line pots allowing you to drive the signal with variable saturation, plus the -20dB pad and polarity invert buttons from the original. This is the modern incarnation of the “E Series” EQ as found on SSL’s current hardware.
This has 18dB of cut or boost available (instead of 15dB) with a revised control law in the low band giving tighter control. With Brown Knob EQ switched out, you get the ‘Black Knob’ EQ (aka “242 EQ”). The two shelving filters are traditional 6dB/octave designs with the BELL button switching in the symmetric Q peaking response. New ‘Brown Knob’ EQ The original Brown Knob EQ design (aka “02 EQ”) gives SSL’s classic symmetric Q design ensuring that the ☓dB up/down points remain constant from the centre frequency regardless of frequency and amplitude settings. As well as the under-the-hood revisions, the plugin has new headline functions to enhance the E channel experience. This completely new plugin is re-modelled from the ground up using new analogue modelling technology. This is not a simple revision of the old Waves SSL E channel. Combining the winning convenience of a plugin with an authentic 4000E sound goes some of the way to explain why it’s not unusual to see engineers using them even with the real thing next to them! The console’s influence is perhaps best demonstrated in the roll call of licenced plugin versions of its revered channel strip, with broad-brush dynamics and the workmanlike-yet-musical EQ available in one tool. With mix automation and both record and play paths in the same channel, the modern DAW certainly has more than just a passing resemblance to the 4000E. Judge for yourself.įor anyone unfamiliar with it, the SSL SL4000E console was the all conquering studio behemoth that filled control rooms the world over from an era when the studio computer was the thing next door you used to print off the invoice… Although a far rarer sight now, it invented an entire studio paradigm on its own that arguably continues to shape the tools that we use today. We check out how the latest plugin emulation sounds next to a real one. The SSL 4000E console was one of the most recognisable presences in studios around the world.
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